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Sanam Marvi enthrals Parisians at Theatre de la Ville, Paris, France

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Paris (Imran Y. CHOUDHRY):- Pakistani folk, sufi and spiritual singer, Sanam Marvi enthralled a jam-packed audience on Sunday with her performance at the Theatre de la Ville, Paris. The concert, which was co-organized by Embassy of Pakistan and Theatre de la Ville, provided a rare opportunity to Parisians to listen to a Pakistani singer known not just for her powerful singing but also as a symbol of the spiritual heritage of Pakistan.

Ambassador of Pakistan, Madam Mumtaz Zahra Baloch appreciated the mesmerizing performance of Madam Sanam Marvi and her team and thanked the management of the Theatre de la Ville for bringing Pakistani music to life once again in Paris – the city of lights. She acknowledged the role played by Theatre management led by Soudabeh Kia, Conseillere Musique du Monde in patronizing art and music from around the world as earlier late Nusrat Fateh Ali Khan has also performed at the theatre.

Ambassdor Madam Baloch emphasized that in today’s world, ‘cultural diplomacy’ connects people, societies and countries. She expressed delight at the success of the sold-out concert of Sanam Marvi at the Theatre de la Ville and expressed the hope that further collaborations will take place in performing arts between Pakistan and France.

Speaking about her experience, Sanam Marvi said that ‘music is the spice of life and we love our traditional music’. She was overwhelmed by the presence and appreciation of a large international crowd. Born in the province of Sindh, Pakistan, Sanam Marvi started singing at an early age and has gained international recognition for her unique style of singing folk and sufi music.

The management of Theatre de la Ville highlighted that performances like that of Sanam Marvi provide an opportunity for music lovers in France to enjoy international music. They highlighted that ‘music has no boundaries’ and the main aim of the programme was to reinforce love for international music among the French audiences and to introduce to them foreign artists and the countries they represent.

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From Bank Lines to Bus Seats: Bold Lessons in Courtesy, Courage, and Everyday Survival

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In the line of bill payers at the bank,

As the fairer sex,

If sick, don’t just be blank

“Ladies first”, “excuse me11, “before you please.”

For deals with unpaid bills,

Ask for goods back, threat if you will,

Repeat the request for a job.

You may make it from the mob,

Instead of standing, share the seat on the bus

Isn’t it much better than making a fuss,

Whatever you do during tug-of-war, do not push the rope

Or you’ll be the laughing stock amidst cries of, “What a dope.”

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Bareendo of Pakistan Inscribed on UNESCO’s Intangible Cultural Heritage (ICH) List

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Paris(Imran Y. CHOUDHRY):- Bareendo (Bhorindo), one of the oldest surviving folk instruments of Sindh, has been officially inscribed on UNESCO’s list of Intangible Cultural Heritage (ICH) in need of urgent safeguarding. The decision was adopted at the 20th Session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage.

The Bareendo is a clay wind instrument whose origins trace back to the 5,000-year-old Indus Valley Civilization. It is a symbol of Sindh’s spiritual and communal traditions. For centuries, its soft and meditative tones have accompanied winter gatherings, Sufi practices, and rural celebrations. Today, however, the tradition is endangered, with only one master musician, Ustaad Faqeer Zulfiqar, and one master potter, Allah Jurio, preserving its complete knowledge.

The nomination of Bareendo as an ICH in urgent need of safeguarding is the result of an intensive consultative process between the Government of Sindh, Pakistan Mission’s to UNESCO in France and the UNESCO Headquarters. It was inspired by a community-led and participatory process in the village of Keti Mir Muhammad Loond village in Sindh province to protecting Bareendo as a cultural heritage. Their efforts shaped the comprehensive Four-Year Safeguarding Plan (2026–2029), which includes the establishment of a community music school, integration of Bareendo heritage into formal and informal education, and the use of digital platforms to expand cultural outreach. UNESCO’s inscription will support the conservation process.

Permanent Delegate of Pakistan to UNESCO Ambassador Mumtaz Zahra Baloch welcomed the decision of UNESCO’s Intergovernmental Committee to inscribe Bareendo as an Intangible Cultural Heritage in urgent need of safeguarding. “The inscription of Bareendo is a proud moment for Pakistan and a tribute to the communities who have preserved this ancient instrument and music for generations. Bareendo is not only an emblem of the Indus Valley’s cultural continuity but also a living expression of Sindh’s artistic and spiritual heritage.”

“This recognition by UNESCO reaffirms Pakistan’s commitment to the protection and promotion of our diverse cultural traditions. We look forward to working closely with UNESCO to ensure that the knowledge, craftsmanship, and musical identity of the Bareendo is transmitted to future generations”, she said.

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“The Backyard Ballet: Cat and Crow in Comic Courtship — A Poem by Zeenat Iqbal Hakimjee”

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My backyard is livened up

By the cat and the crow.

From a distance they for each other

A liking show.

Caw Caw, Meow Meow they hark & howl.

A din enough, to disturb the neighbouring fowl

Both of them perched on the dustbin.

Turn by turn.

Waiting for a morsel, from the kitchen to return.

Up goes the left over meat, in the air,

What ensues would ashame ‘The battle for the chair

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