Art & Culture
A Feast Across Centuries: Korean Flavors Shine at Hampton Court
By Nadeem Ahmad Mirza & MD. Moon Hyungsuk
London, a vibrant multicultural mosaic, weaves a spell of romance and discovery, where the scents of sizzling street food—spiced curries, tangy jerk chicken, and delicate dim sum—mingle with the evening air through bustling markets. As dusk settles, the Thames reflects a golden glow, its ancient waters witnessing couples strolling hand-in-hand, whispering vows as music drifts through vibrant squares. This city, pulsating with global cuisine, fragrant flower markets, spontaneous dances, and celebrations of art, invites all to fall in love—not just with a person, but with its boundless, beating heart. Over the August Bank Holiday weekend in 2025, the Hampton Court Palace Food Festival transformed Henry VIII’s historic residence into a global gastronomic stage, with Korean cuisine, particularly Andong’s jongbu cuisine, emerging as the undeniable star.



Set against the majestic red-brick backdrop of Hampton Court Palace, the annual Food Festival drew thousands from across the UK and beyond, eager to savor a dazzling array of international delicacies. From Lebanese koftas to Caribbean patties, over 150 exhibitors showcased artisanal foods, wines, and street-food innovations. Yet, this year, a vibrant tented kitchen adorned with colorful Korean banners and the South Korean flag stole the spotlight, marking a historic first: the participation of Andong, Korea’s Confucian heartland, represented by the Korea Foundation for Cultures & Ethics, introducing the centuries-old tradition of jongbu cuisine. The festival buzzed with energy under bright sunshine and a gentle breeze, as locals, international residents, and tourists flocked to the Korean stall. The air was thick with the irresistible aromas of gochujang, sesame oil, and garlic, drawing crowds to sample fiery tteokbokki (chewy rice cakes in sweet-spicy sauce), sizzling bulgogi (caramelized beef), tangy kimchi, and crisp pajeon pancakes. The sound of sizzling hot plates and upbeat K-pop rhythms created an electric atmosphere, blending seamlessly with the palace’s historic grandeur.




To understand the significance of this showcase, one must look to Andong, nestled in Korea’s Gyeongsangbuk-do province, long regarded as the spiritual and intellectual cradle of Confucianism. Its UNESCO-recognized heritage sites—Hahoe Folk Village, Byeongsan Seowon, and Dosan Seowon—reflect its global cultural value. Andong’s culinary traditions are deeply tied to Confucian rituals of respect, hospitality, and harmony, with dishes like heotjesabap (ceremonial bibimbap), Andong jjimdak (braised chicken with noodles), and traditional soju embodying a balance between sustenance and symbolism. The jongbu table, traditionally stewarded by the head housewife of Confucian lineages, represents the ethical and cultural responsibilities of household leadership—a concept resonant with both family life and social cohesion.




At the festival, the Andong delegation, led by Mrs. Kim Do-eun, the 15th head housewife of the Gwangsan Kim clan, and her husband, director of the Suun Japbang Culinary Research Institute, brought this heritage to life. Their showcase was anchored in jongbu cuisine, rooted in the Suun Japbang, a 16th-17th century manuscript by Confucian scholars Kim Yu (1491–1555) and Kim Ryeong (1577–1641). Written in classical Chinese, this text preserves 114 recipes—ranging from liquors, vinegars, fermented vegetables, and soy-based condiments to soups, stews, tofu, desserts, and medicinal broths. The centerpiece was yukjjim, a delicately braised beef dish, which captivated audiences not just with its flavors but with its centuries-old culinary philosophy. The Andong team, having devoted over a decade to reviving these recipes with modern finesse, presented food as a vessel of cultural diplomacy, bridging past and present.
The Korean stall was a cultural phenomenon, embodying London’s multicultural soul. Festival-goers from diverse backgrounds shared their enthusiasm, highlighting the universal appeal of Korean flavors, with Andong’s jongbu cuisine adding a profound historical depth. Sarah and Mark from Wimbledon, UK, remarked, “We saw Korean cuisine on a Netflix show and had to try it. It’s got an incredible kick, but so moreish! We’re definitely making this at home.” An Italian family noted, “We came for the palace but fell in love with Korean fried chicken. The sauce—spicy, sweet, garlicky—is perfect. We’re taking sauces home to Italy!” Anuj, a Delhi-born Londoner, observed, “London’s palate has evolved—first Italian, then Thai, now Korean. The fermented depth of Andong jjimdak is bold and healthy. I’ve already eaten.” A French couple added, “The balance in bibimbap is exquisite—rice, vegetables, egg, and gochujang. It’s a complete meal we could eat daily. We’ll find a recipe online.”





Beyond the food, the K-Food Fair offered a taste of Korean culture—from Squid Game-inspired challenges to traditional fermented foods like jang and kimchi. Visitors didn’t just eat—they immersed themselves, with Andong’s jongbu cuisine sparking curiosity about Korea’s heritage. The sentiment was clear: Korean cuisine has transcended its trendy status to become a beloved staple in London’s culinary landscape, with Andong’s contributions elevating it to a cultural narrative. The Andong delegation’s debut at Hampton Court was a profound cultural exchange, juxtaposing Suun Japbang’s Confucian recipes with the grandeur of Tudor banquets once held in the same palace. This meeting of two culinary lineages—Korean and British—united by the human impulse to gather and share, resonated deeply with visitors. The festival became a stage where food told a story, with Andong’s jongbu cuisine inviting attendees into a centuries-spanning narrative of respect, balance, and continuity. For many, tasting Andong’s yukjjim opened a gateway to explore the city’s landscapes, traditional markets, museums, and living heritage.
The Hampton Court Palace Food Festival was more than a marketplace—it was a narrative of global connection. For the Korea Foundation for Cultures & Ethics in Andong, this historic participation marked a step toward globalizing jongbu cuisine, ensuring its values resonate beyond Korea’s borders. The event underscored Korean food’s place in London’s diverse culinary tapestry, with festival-goers eager to recreate dishes like tteokbokki, bulgogi, and Andong’s yukjjim at home and explore Andong’s cultural heritage. As the festival closed, one truth was evident: Korean cuisine, enriched by Andong’s jongbu cuisine, has found a warm, enthusiastic home in London. From the royal gardens of Hampton Court to the scholarly courtyards of Andong, this culinary journey has opened a gateway for greater exchange between Britain and Korea. For those inspired by the flavors of Andong, the invitation is clear: to truly taste this heritage, one must visit Andong—and London’s love affair with Korean cuisine is only just beginning.
Art & Culture
What’s Cooking: A Lively Dance of Flames and Flavors in the Heart of a Homely Kitchen — A Whimsical Reflection by Zeenat Iqbal Hakimjee from Harmony
la Ra Rum go the prancing, dancing,
Flames of the stove,
Amused by this scenario, is the meat
Being cooked above.
The groin softens to the warmth of the fire,
With the cabbage and potato.
It forms an empire.
The unveiling of the platter,
Reveals, fit for a king, matter.
Copied from television this recipe
Is a treat, When near and dear ones,
Altogether do meet.
Art & Culture
PAKISTAN PRESENTS LANDMARK ISLAMIC ARTWORK TO OXFORD CENTRE FOR ISLAMIC STUDIES
PAKISTAN HIGH COMMISSION
LONDON
Press Release
The Government of Pakistan presented a major contemporary Islamic artwork to the Oxford Centre for Islamic Studies, marking the first-ever representation of Pakistan in the Centre’s permanent collection.
The gift was presented by High Commissioner, Dr. Mohammad Faisal, along with his spouse Dr. Sarah Naeem, in a graceful event that was attended by Lord Wajid Khan, academics and scholars, faculty of OCIS, officers of Pakistan High Commission and friends of Pakistan.
The gifted sculpture, created by renowned Pakistani artist Mr. Amin Gulgee, is from his acclaimed Zero Gravity II series. The work features the fifth verse of Surah Al-Alaq – one of the earliest verses revealed to the Prophet Muhammad (Peace Be Upon Him) – عَلَّمَ ٱلۡإِنسَٰنَ مَا لَمۡ يَعۡلَمۡ “[He] taught humankind what they knew not” (Quran 96:5) – rendered in elegant Naskh calligraphy and dramatically deconstructed into seven floating, interconnected components that appear to defy gravity.

Speaking at the presentation ceremony, Dr. Mohammad Faisal, High Commissioner of Pakistan to the United Kingdom said that it was a great honour and personal pleasure to represent the Government and people of Pakistan on the occasion. “To have Pakistan’s artistic voice now resonate within these walls is a matter of immense national pride. This gift is not a one-time event, but the beginning of a lasting relationship between Pakistan and the Oxford Centre for Islamic Studies”, the High Commissioner stated. Dr. Faisal expressed the hope this artwork will serve as a bridge – opening doors to deeper collaboration in research, scholarship, academic exchange, and cultural dialogue for many years to come.

The High Commissioner extended warm gratitude to Director OCIS Dr. Farhan Ahmad Nizami and the management of the Centre for accepting the gift and to Mr. Amin Gulgee for creating a work that “so beautifully embodies the Pakistani spirit of creativity rooted in faith.” He concluded by expressing hope that the sculpture would inspire visitors to remember that the pursuit of knowledge is a sacred journey, one that began with the divine command “Iqra” – Read – and continues through institutions such as the Oxford Centre and through the growing partnership between Pakistan and the Centre.

Dr. Farhan Nizami, Director OCIS thanked the people and Government of Pakistan for the gift and expressed the hope that collaboration between Pakistan and the Centre will further strengthen.
The Oxford Centre for Islamic Studies is recognized worldwide as a leading institution for the multi-disciplinary study of Islamic culture, civilization, and contemporary Muslim societies.
Oxford
20th November, 2025
Art & Culture
Illusion of Affection: A Moment of Unexpected Betrayal by Zeenat Iqbal Hakimjee from Harmony
She was single and lonely,
All of her belonged to me;
At the corner of the building
Looking like a bride,
I spotted her needing
Help at her side
Chivalrously I opted
To do the needful,
She seemed thoroughly pleased
And blissful:
Then suddenly a car stopped by her,
With door flung open.
A man sat inside.
With wide open arms which did her beckon.
Alas; To my dismay, i was left alone,
Near me no more now, but an illusion.
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