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Muslim-Sikh Harmony in Punjab: Akhtar Hussain Sandhu with Arshdeep Kaur Battu in a TV Interview on Sanjha TV (Canada)

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Dr. Akhtar Hussain Sandhu, expert on Sikh/Punjab Studies, historian, scholar and columnist from Pakistan, currently living in USA was interviewed by famous anchor Arshdeep Kaur Battu for Sanjha TV, Surrey (Canada). The Light Newspaper is publishing first part of this interview and the rest of parts will be published in the forthcoming Sundays.

Translated by:

Farooq Muhammad Wyne

Lecturer in English

Government Islamia College Civil Lines, Lahore

Part 1

Host Arshdeep Kaur Battu: Welcome to Sanjha TV. I’m your host, Arshdeep. We extend a warm welcome to you on the Listen Up Segment with Arshdeep Kaur Battu. Today’s program features a very special discussion, as we have an esteemed Dr. Akhtar Hussain Sandhu with us. Whenever we discuss our Language (Boli) Land (Mitti) and Culture (Sabyachar), it takes us back to 1947 when our nation was divided, particularly Punjab.

Eastern Punjab (Charda Punjab or the Indian part of Punjab), Western Punjab (Lehnda Punjab or the Pakistani part of Punjab), and the present Punjab (Aha Punjab) have been established in different regions (Pakistan and India). In these Punjabs, diverse discussions occur, indicating that Punjabis from different lands still feel connected to one another, despite the separation caused by borders. Whenever Punjabis meet, we take pride in our culture, embrace one another, attend each other’s marriages, and participate in each other’s joys and sorrows. We are concerned about the division of Punjab, but such discussions in the Punjabi Diaspora (Teeja Punjab) often take a different turn.

Typically, we focus on Indian Punjab (Charda Punjab), but today we are discussing Pakistani Punjab (Lehnda Punjab). For this, we have the highly honorable Dr. Akhtar Hussain Sandhu with us. When it comes to his personality, no introduction is needed. He is a scholar, a historian, and an author of multiple books. He hails from Pakistan and is with us today in Canada. We welcome you, Dr.

Sandhu.

Guest Akhtar Hussain Sandhu: Thank you very much for your love and kindness. I also extend my gratitude to those living in Canada and everyone listening to us for their love and affection for Punjab.

Host: Dr. Sandhu, I recall our first meeting in the library. As I got to know you, my respect for you grew continuously. I then thought we should invite you to our panel, and we are grateful for your valuable time. Currently, you are in Surrey. How are you feeling?

Guest: I am very happy to be here. It feels like home because wherever you find love for your language, land, and culture, you feel a sense of belonging. Regarding our meeting in the library, I am very happy to visit the Gurdwara, which serves as a center for community love for Punjabi culture and education. The Gurdwara represents the symbol of education, wisdom, and learning. I felt extremely pleased that you have a library next to your studio. As you know, there is a shortage of libraries, and our Punjabi youth seem to be moving away from books and libraries. We need to promote Punjabi culture through education. I am delighted to be in Surrey, especially because I met many good friends here, including Sardar Jaiteg Singh Anant, Gian Singh Sandhu, Jaswindar Singh Parmar, Harpreet Singh and other friends, such as poets, journalists, and authors. I pray for all these gentlemen and wish that Punjabis, wherever they live, continue to flourish. The Punjabis living in Canada are like flowers spreading the aroma of Punjabi culture in this land.

Host: Thank you, and on behalf of all Canadian Punjabis, we welcome you to this land. Our hearts feel delighted when it comes to Pakistan, and we become eager to learn about it. Although I have never been to Pakistan, I have a strong desire to visit, especially the land of Punjab where our Sikh ancestors lived. I would like to visit the sacred places we see in videos, where our pilgrims go and touch the sacred walls of those buildings. Whenever we see such videos, our eyes become wet, and I believe the experience will be even more intense when I physically visit.

Today, we will discuss various topics as you are also a historian, a scholar, actively engaged in youth affairs, and most importantly, the Principal of an esteemed college. When we talk about Pakistani Punjab, the topic of minorities, which you have already discussed, is of utmost importance. We have also touched on the pride of Punjabi culture. Now, coming to the topic of women’s education and empowerment, as you know, every country talks about gender equality. Could you share your thoughts on women’s education in Pakistani Punjab and the steps being taken to ensure their education and welfare?

Guest: Indeed, you have raised an important question. I understand that some people might not agree with me, but my stance is that in our Punjab, there are many organizations that advocate for women’s empowerment. However, I view them from two different angles. The status of human beings is different and somewhat elevated. If you compare them to animals, you might say that they have some physical similarities, but in terms of intellect, they are two distinct species. In my opinion, a woman is highly respectable and honorable because she gives birth.

Sometimes I say God is the creator, and on earth, it is the woman who gives birth and gives life, meaning you find a God-like characteristic in a woman that is not found in a man. Secondly, a woman is the epicenter of peace, love, and fragrance. A man’s dynamics are different; he is a warrior who goes out and earns. Therefore, there is no comparison between men and women; they are two different genders with distinct roles and characteristics. Even if we look at the physical attributes of a man and a woman, we will find differences.

Before the inception of civilization, people who lived in caves, as some experts claim, were considered uncivilized. However, I don’t believe they were uncivilized. During the Stone Age, women who gave birth in caves raised their children without modern facilities and technologies. These women were able to continue the human race through their special care in raising their offspring. Therefore, they were not uncivilized but rather civilized as they managed to preserve the human species that we have become today. Then civilization began, so you cannot disconnect the period of the inception of civilization from the Stone Age. Human beings, especially women, played an important role in the transition of the human race from the Stone Age to civilization. This is why the status of women has always been highly elevated, even from the start. Additionally, we say God provides and sustains us, and there is no doubt about it, as it is one of His attributes. When it comes to society and our homes, who provides and nourishes us? It is our women—our mothers, sisters, and wives.

Two things are very important in life on earth: creation and sustenance. In the Heavens, God does that, and on earth, it is the woman who is endowed with such characteristics. However, I do not believe that comparing men and women to determine who is superior or inferior is productive; instead, we should discuss the different and important roles that both genders play in society, especially women whose status is as elevated as it can be. In our Punjabi culture, whenever there was a vendetta, it was the women who would go to the enemy’s house, and the fight would end due to the woman’s honor. If someone placed a woman’s scarf (dupatta/chunni) at someone else’s feet, the fight would end immediately. This was our culture, and this was women’s honor.

There is an incident which is not recorded in history but is sometimes quoted by a segment of the Punjabis of our Lehnda Punjab (Pakistani part of Punjab) that when Maharaja Ranjit Singh told his Wazir (minister) about a debate among Muslims regarding a garden called Bagh-i-Fadak, he expressed that it should be given to the daughter of the Prophet Muhammad (PBUH). When the wazir asked for evidence, Maharaja reprimanded him, saying, “Hold your tongue because when daughters of an honorable family come to someone’s door, no other justification should be demanded. Hazrat Fatima (RA) was not an ordinary lady but a daughter of the Prophet (PBUH) of the Muslims; she should be given the whole kingdom by them…if she asked for everything, she should be given everything.” This illustrates the importance of a daughter or a woman. It is widely known in our folklore that when daughters come to someone’s door, everything should be put on hold. We often see men as chivalrous, but when they see a single drop of tears in the eyes of their daughters and women, it melts them down. How brave and strict a man may be, when he is in front of his mother and daughter, the same strict man becomes like a fusible candle. When we look at the culture of Punjab, we are amazed by the purity and sense of equanimity. There is an element of respect for women in Punjabi culture.

Similarly, the concept of “Zar (Wealth), Zan (Women), Zameen (Land)” is prevalent in Punjabi culture. However, if we critically analyze it, we will realize that men in Punjabi culture have always put their lives at stake for their women. This demonstrates the respect for women in Punjabi culture. In contrast, in Western culture, you’ll find the idea of rugged individualism, whereas in Punjabi culture, the sense of collectivity is more prevalent. What is often perceived as a male-dominated society is actually not so; rather, the honor they have for women is unparalleled. You cannot harass a woman in Punjabi culture and get away with it; such a phenomenon is not found in the West. In Punjabi culture, there is also a dominant aspect: even if someone has seven sons, he would pray to God for a daughter because to him, sons are inheritors of properties, and daughter is the custodian of the funeral of father (dhee jinazey di waris).

Host: Those who have daughters can understand. I can see you’re being a bit emotional right now.

Guest: Just look at the beauty of our culture. It is often misrepresented that in Punjab, women are usually treated as concubines and inferior, but don’t rush to such conclusions before studying and analyzing all aspects of Punjabi culture.

Host: As our Guru Nanak once said, “So kyo manda aakhiye, jit jamme rajan” (Why call her bad who gives birth to kings?). It is also said that God doesn’t come down to earth to show us what Paradise looks like, but He created Mother to give you a glimpse of Paradise and told you that Paradise lies at her feet. As you (Dr. Akhtar) have shared about the glorification of women in Punjabi culture, a large segment of Punjabi society follows such ethics, but there are still some who disregard women.

Guest: Yes, I understand your point. The issue is this: there are two paths—one is right, and the other is wrong. One path is of God, and the other is of Satan. One path is spiritual, and the other is materialistic. All religions, including Islam, have given us the path—the path of goodness, called Sirat-al-Mustaqeem (the Right Path) in Islam. Now, you see, there is one individual who values material things above all, but on the other hand, there is another man who rejects himself and works for the betterment of human society. Now, tell me, which one of these will be remembered in history? The selfish or the altruistic?

Look at the example of Baba Guru Nanak; if he wanted, he could have amassed wealth, but no, he chose the other path. He worked for the betterment of his surroundings; he distributed whatever he had to the poor. He did “Sucha/Sacha Sauda” (the righteous transaction). Today, why do people remember him? Because of his deeds. He sacrificed wealth for the sake of spiritual people. Even after centuries, those to be remembered are the likes of Guru Nanak and other selfless individuals who worked for society and humanity. If a criminal-minded person grabs and plunders the rights of women, or if someone uses religion for personal gain or social status, or if someone is money-minded, history will not recognize them with decent diction.

Art & Culture

Tajikistan Marks 35 Years of Independence in London

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By Raza Syed

Diplomats, parliamentarians and cultural figures gathered in London as Tajikistan showcased its political progress, artistic heritage and deepening international partnerships

LONDON — The Embassy of the Republic of Tajikistan in United Kingdom hosted a solemn reception in London on September 4 to mark the 35th anniversary of Tajikistan’s State Independence, bringing together senior officials, diplomats, parliamentarians, and representatives of British political, business, academic, cultural, and media communities.

The event provided an opportunity to reflect on Tajikistan’s three and a half decades of independence, its political and socio-economic development, and the strengthening of its international partnerships.

Among the distinguished guests were representatives of British state institutions, heads of diplomatic missions accredited to the country, members of parliament, and prominent figures from the political, business, scientific, and cultural sectors, alongside representatives of the media.

Welcoming the guests, Ambassador of Tajikistan to United Kingdom, H.E. Mrs Rukhshona Emomali, highlighted the country’s achievements since independence, particularly in the political, socio-economic, and cultural spheres.

In her remarks, the ambassador also underscored what she described as the pivotal role of Emomali Rahmon, President of Tajikistan and Leader of the Nation, in the consolidation of modern Tajik statehood, the establishment of peace and national unity, and the country’s continued development.

The guest of honour, Melinda Bohannon, Director General for Global Issues in FCDO, of United Kingdom, conveyed warm congratulations to the people and government of Tajikistan on the 35th anniversary of independence.

She also highlighted the positive trajectory of relations between London and Dushanbe, expressing confidence that the two countries would continue to deepen their friendly ties and strategic partnership across a range of areas.

The reception also offered guests an insight into Tajikistan’s rich cultural heritage. A concert programme featuring traditional Tajik songs and dances formed a central part of the celebrations, showcasing the country’s distinctive artistic traditions.

Tajikistan’s renowned vocalist Khujasta Mirzovali, who travelled to London specifically for the National Day celebrations, captivated the audience with her performance of traditional Tajik songs. Her melodious delivery earned a warm and sustained standing ovation from attendees.

A national handicrafts and painting exhibition further enriched the event, presenting examples of Tajik folk art and craftsmanship. Visitors were able to view traditional national costumes and intricate examples of chakan, suzani, and popuri embroidery, alongside works created by Tajik artisans.

The cultural presentation extended to the traditional Tajik table, where guests were offered an assortment of fresh, locally grown fruit and nuts.

The event offered a rich cultural programme, including documentary screenings, traditional music, and performances that showcased the country’s heritage with remarkable depth and artistry.

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The museum charting how humans understand the world

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Beautiful, surreal and eerily empty, Vienna’s Globe Museum the only public museum on Earth dedicated to globes, and it – quite literally – tells the story of our world.

It’s a chilly afternoon in Vienna, and the line for the Austrian National Library has already spilled out the door, curling like a ribbon around the grand Josefsplatz square. I’m not in the mood to wait – I’ve already struck out at several crowded nearby attractions where timed-entry tickets were sold out.

Rather than join the queue, I walk down the street and stumble onto a smaller, somewhat hidden site: The Globe Museum. Tucked inside Vienna’s 17th-Century Palais Mollard, it’s the only public museum on Earth dedicated entirely to globes, and one of Vienna’s greatest surprises.

Different worlds

I soon realise that I’ve wandered into another world – or more accurately, many of them.

Just steps from some of the city’s most celebrated, crowded attractions, Vienna’s Globe Museum displays more than 220 rare and antique spheres, most created before 1850, ranging from towering Coronelli globes to tiny, foldable pocket orbs.

Maggie Downs The museum's 220 rare globes show how humans have imagined the Earth and heavens (Credit: Maggie Downs)
The museum’s 220 rare globes show how humans have imagined the Earth and heavens (Credit: Maggie Downs)

Beautiful and surreal, the museum’s extensive collection goes beyond geography to reveal how humanity has mapped and imagined the Earth and heavens above. It’s a chronicle of human curiosity, and – quite literally – the story of our world.

“Globes show the change in our imagination of our planet,” says Nikolaus Schobesberger, the director of museum. “And this is the only place in the world where you can see so many of them at the same time.”

Visitors start by travelling through the Golden Cabinet, a lavish room with centuries-old frescoes depicting scenes from Greek mythology. It’s the backdrop for a stunning array of globe-related instruments, like telluriums, which illustrate the Earth’s orbit around the Sun, and armillary spheres, which use a framework of rings to visualise the movements of celestial bodies.

As I reach the museum’s four main galleries, I realise the whole place is pin-drop quiet. I shuffle slowly from one glass case to another, holding my breath to not disturb the stillness, even though I’m alone with centuries-old objects.

I find myself marvelling at two spherical worlds suspended in time. One is terrestrial, with oceans awash in vivid blues and squiggly brown coastlines. The other is celestial, where mythological creatures and constellations spill across a tea stain-coloured backdrop. Barely bigger than beach balls, these two time capsules were made by the same craftsman 10 years apart in the mid-1500s and preserve a world as it was still coming into focus.

Globe Museum & Pichler The Golden Cabinet is filled with centuries-old frescoes of mythology (Credit: Globe Museum & Pichler)
The Golden Cabinet is filled with centuries-old frescoes of mythology (Credit: Globe Museum & Pichler)

In one, Europe, the Mediterranean and Africa’s coasts are filled with place names, while North America fades into the uncharted Arctic. Asia is distorted, a hypothetical southern continent stands in for Australia and Antarctica and the Pacific is populated by sea monsters instead of islands. In the other, Renaissance astrological observations exist alongside Pegasus taking flight and Perseus brandishing Medusa’s severed head.

“They’re some of the oldest globes we have in our collection,” says Schobesberger.

Moving from one globe to the next, I notice how these relics extend beyond geography and depict what people once believed. Many fill the space of unexplored oceans with dragons, while some confidently depict my home state of California as an island. Some pieces also preserve colonial-era prejudices with elaborately painted scenes depicting Indigenous people as cannibals. On one, African coastlines are dotted with Spanish and Portuguese flags, showing “ownership”.

“They’re a part of this colonial thinking. And so, they’re beautiful art, but you also have to think about the time they were created,” Schobesberger says, explaining that every globe is as much a record of what people knew as what they didn’t. That’s why he believes the museum resonates with all types of people, not just historians or cartography enthusiasts.

Maggie Downs Globes reveal as much about what humans know as what they don't know (Credit: Maggie Downs)
Globes reveal as much about what humans know as what they don’t know (Credit: Maggie Downs)

One of Schobesberger’s favourite objects is a lunar globe from 1961. The front portion of the Moon is meticulously mapped. The back, however, is a stark white strip, intentionally left blank because the far side of the Moon had not yet been seen. An updated lunar globe made two years later, also on display, contains the missing portion.

I can’t help but circle back to a showstopper in the front hall, a replica of the Behaim Globe – completed by Martin Behaim in 1492, the year Christopher Columbus sailed west – which shows a world without the Americas. There’s simply an expanse of ocean between Europe and Asia.  

“A globe is such a great thing because it’s a small-scale model of our planet, so you can tell stories about the world on it,” he says. “Climate, geology, topography, trade routes, everything.”

From curios to cultural cornerstones

Walking through the museum, visitors can see the globe’s own journey unfold. The earliest examples were luxury objects reserved for aristocrats and wealthy merchants. Over time, globes lost their exclusivity, shrunk in size and became more affordable and popular. They entered schools, appeared in living rooms and even became playthings for children. Today, they are so commonplace that my son even won his desktop globe in a classroom raffle.

Globe Museum & Pichler Globes invite curiosity and people to contemplate their place in the world (Credit: Globe Museum & Pichler)
Globes invite curiosity and people to contemplate their place in the world (Credit: Globe Museum & Pichler)

I entered the museum expecting to view globes as historic artefacts, but I’m surprised by how alive they still feel. Even with Google Earth at my fingertips, these tactile objects invite curiosity and imagination in a way that a screen doesn’t.

“It’s not just that the globe is a scientific instrument. It’s also an object which lets you dream of foreign countries,” says Schobesberger.

Globes in pop culture

Beginning 24 September 2026, the museum’s newest exhibition, Globes in Everyday Life, Art and Culture, will explore how globes evolved from a status symbol to a familiar fixture. It also showcases the globe’s enduring place in pop culture, from architecture to art and film, like Charlie Chaplin’s famous dance with an inflatable globe in The Great Dictator. “The main idea was to show that globes are almost everywhere as a part of everyday life,” Schobesberger says.

Schobesberger’s own fascination began as a young child, when he became captivated by the ships, sea monsters and mythical creatures that filled the blank spaces of historical maps and globes. He began to draw his own world maps when he was just six years old.

“You can think about what’s possible on the other side of the world, even when you’re sitting here in Europe,” he says. “Nothing else can capture the imagination quite like it.”

That sentiment resonates with author JF Penn, who stumbled onto the Globe Museum while researching her novel Spear of Destiny, based on a relic housed in Vienna’s Imperial Treasury. Like me, she ended up lingering far longer than planned.

Alamy The museum is located in the heart of downtown Vienna but often eerily quiet (Credit: Alamy)
The museum is located in the heart of downtown Vienna but often eerily quiet (Credit: Alamy)

“I particularly loved the oversized antique globes with the patina of age and use,” she says. “I considered how many fingertips have turned them over generations and wondered if they thought of travelling to these far-off places that I do.”

Even after visitors leave Palais Mollard, the search continues. Across Vienna, some 50 globes are perched on rooftops and facades, hidden in plain sight. The museum even charts them on a virtual map in its new exhibit, encouraging people to look upward as they wander the city.

When I finally step back outside, the sky is dark and the streets are even more crowded. Earlier in the day, I had been seeking a quieter corner of Vienna. Instead, I was given a whole new way of seeing the world – a place that’s constantly being redrawn and reimagined.

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This news is taken from BBC News

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Art & Culture

Shanghai Cooperation Organisation names Lahore as its ‘Tourism and Cultural capital’

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BISHKEK: The city of Lahore has been named the Tourism and Cultural Capital for 2026-27 by the Shanghai Cooperation Organisation (SCO).

The decision was anno­unced at the 26th meeting of the SCO Council of Heads of State in the Kyr­gyz capital, which was att­e­nded by PM Shehbaz Sharif.

The title of Tourism and Cultural Capital has been rotated annually among SCO member states since 2022, and the designation serves to highlight the pro­minence of a city that emb­odies the cultural heritage of the country that takes over the rotating presidency of the organisation.

This year, Pakistan assumed the SCO presidency, with PM Shehbaz defining the theme of the chairmanship as ‘Turning Vision into Action: Connectivity, Innovation and Shared Prosperity’.

Cities that have held the title in the past include Varanasi, India (2022-23), Almaty, Kazakhstan (2023-24), Qingdao, China (2024-25) and Cholpon-Ata, Kyrgyzstan (2025-26).

The decision to designate Lahore as the tourism and cultural capital was taken in April this year, when the heads of tourism administrations of SCO member states met in Bishkek.

The designation is designed to promote people-to-people contacts and tourism among the member states.

Published in Dawn, September 2nd, 2026

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