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Art & Culture

Romance: A Poetic Celebration of Love by Zeenat Iqbal Hakimjee from Harmony

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I love you, my dearest, my cherub,

The sunset and sunrise are for me a spectacle & to behold

Because of your warmth I do not feel the cold

Of the cloudy, dark winter nights,

Logs to burn I need not, nor do indeed the light.

Tomorrow is always a day to look forward to.

In your company life is a bundle of joy.

A tear rolls down my cheek, and shines and sparkles

It beautifies my skin and gives it a certain glow

In your adulation it had to flow.

I captured to kitten through your eyes,

And whispered a lullaby by your sound

Togetherness should last and last.

I am in love, I am in love.

Art & Culture

From Bank Lines to Bus Seats: Bold Lessons in Courtesy, Courage, and Everyday Survival

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In the line of bill payers at the bank,

As the fairer sex,

If sick, don’t just be blank

“Ladies first”, “excuse me11, “before you please.”

For deals with unpaid bills,

Ask for goods back, threat if you will,

Repeat the request for a job.

You may make it from the mob,

Instead of standing, share the seat on the bus

Isn’t it much better than making a fuss,

Whatever you do during tug-of-war, do not push the rope

Or you’ll be the laughing stock amidst cries of, “What a dope.”

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Art & Culture

Bareendo of Pakistan Inscribed on UNESCO’s Intangible Cultural Heritage (ICH) List

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Paris(Imran Y. CHOUDHRY):- Bareendo (Bhorindo), one of the oldest surviving folk instruments of Sindh, has been officially inscribed on UNESCO’s list of Intangible Cultural Heritage (ICH) in need of urgent safeguarding. The decision was adopted at the 20th Session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage.

The Bareendo is a clay wind instrument whose origins trace back to the 5,000-year-old Indus Valley Civilization. It is a symbol of Sindh’s spiritual and communal traditions. For centuries, its soft and meditative tones have accompanied winter gatherings, Sufi practices, and rural celebrations. Today, however, the tradition is endangered, with only one master musician, Ustaad Faqeer Zulfiqar, and one master potter, Allah Jurio, preserving its complete knowledge.

The nomination of Bareendo as an ICH in urgent need of safeguarding is the result of an intensive consultative process between the Government of Sindh, Pakistan Mission’s to UNESCO in France and the UNESCO Headquarters. It was inspired by a community-led and participatory process in the village of Keti Mir Muhammad Loond village in Sindh province to protecting Bareendo as a cultural heritage. Their efforts shaped the comprehensive Four-Year Safeguarding Plan (2026–2029), which includes the establishment of a community music school, integration of Bareendo heritage into formal and informal education, and the use of digital platforms to expand cultural outreach. UNESCO’s inscription will support the conservation process.

Permanent Delegate of Pakistan to UNESCO Ambassador Mumtaz Zahra Baloch welcomed the decision of UNESCO’s Intergovernmental Committee to inscribe Bareendo as an Intangible Cultural Heritage in urgent need of safeguarding. “The inscription of Bareendo is a proud moment for Pakistan and a tribute to the communities who have preserved this ancient instrument and music for generations. Bareendo is not only an emblem of the Indus Valley’s cultural continuity but also a living expression of Sindh’s artistic and spiritual heritage.”

“This recognition by UNESCO reaffirms Pakistan’s commitment to the protection and promotion of our diverse cultural traditions. We look forward to working closely with UNESCO to ensure that the knowledge, craftsmanship, and musical identity of the Bareendo is transmitted to future generations”, she said.

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Art & Culture

“The Backyard Ballet: Cat and Crow in Comic Courtship — A Poem by Zeenat Iqbal Hakimjee”

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My backyard is livened up

By the cat and the crow.

From a distance they for each other

A liking show.

Caw Caw, Meow Meow they hark & howl.

A din enough, to disturb the neighbouring fowl

Both of them perched on the dustbin.

Turn by turn.

Waiting for a morsel, from the kitchen to return.

Up goes the left over meat, in the air,

What ensues would ashame ‘The battle for the chair

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